It wasn’t enough anymore to be the best, now racers had to have a gimmick, too. He’d given his whole life to the sport and he thought he’d have earned a bit more respect by now. Although if he were being honest, he never expected to be driving with gray hair, much less a full white beard. But as he put on his suit and looked over the cherry-red paint jobon the finished rocket car, he couldn’t help but feel ridiculous. “Well, let’s give the kids a show.” He practiced the laugh as he secured his helmet. “Ho. Ho. Ho.”
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It was the last week of December, a soft place in time between one year and the next. She walked through empty streets, the air slightly foggy from the melting snow, the pavement slushy. As she walked alone, she meditated on her past and her future. It was an artificial construct, of course. Just the arbitrary fall of holidays on a calendar creating a lull. But she felt that the world was suddenly full of possibilities. It was as though she could disappear in that fog and emerge somewhere else, to start again. So that is exactly what she did.
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This year was a rough one for Comics. Covid-19 forced a distribution shutdown, with ramification that were felt throughout the industry. But there were still a plethora of great books that came out this year, and while I don’t have enough space to expound on all the outstanding books I read this year, here are five of my favorites, in alphabetical order. Spoilers abound below!
Empyre Written by Al Ewing and Dan Slott Drawn by Valerio Schiti Colored by Marte Gracia Lettered by VC’s Joe Caramanga Published by Marvel Comics
At first glance, Empyre is just another Marvel Comics alien invasion story. The Earth is pushed to the brink of peril, and then saved at the last minute by Earth’s Mightiest Heroes, etc. etc. But look past the surface, and there is so much more going on.Empyre concludes with a same-sex royal wedding in space, with all the Avengers and Fantastic Four as guests of honor. It reaches to the roots of Marvel Universe history, both in-story and in publication, and embraces that past while stepping into the future. The status quo for superhero comics is typically dark, putting the heroes on a never-ending back foot, with another crisis just around the corner. The end of this book does acknowledge that nothing good lasts forever. But today, the Kree / Skrull War is over, and Comics Are For Everyone. Make Mine Marvel!
Far Sector Written by N. K. Jemisin Drawn and Colored by Jamal Campbell Lettered by Deron Bennett Published by DC Comic Young Animal
This rare gem of a book takes place in a distant corner of the DC Universe, far from the crises of the regular continuity, and also, I suspect, from editorial interference. Given their own canvas to work with, Jemisin and Campbell have built a beautiful, wondrous and troubling world in The City Enduring, a sparkling artificial super-metropolis where three distinct alien cultures live in apparent harmony, until Green Lantern Jo Mullein is called upon to solve their first murder in centuries, and uncovers a chilling web of oppression and dirty politics whose exposure may tear a civilization apart.Jemisin’s writing on this book is consistently amazing. It’s difficult to believe this is her first jump from prose to comics. Propelled by Campbell’s dazzling art, this ongoing title is not to be missed.
Heist Written by Paul Tobin Drawn by Arjuna Susini Colored by Vittorio Astone Lettered by Saida Temofonte Published by Vault Comics
Gritty sci-fi crime dramas seems to be my jam this year, and Heist was another great one. After being set up by an evil executive and thrown in jail, Glaine Breld is out for revenge. There’s just two problems. One, the Dignity Corporation is so powerful it is completely untouchable. And two, everyone on the entire planet wants him dead. No big deal, because he’s got a plan to set everything right. All he has to do is get a crew together and steal the whole planet. Full of twist, dark humor, and the blackest of cyberpunk high concepts, Heist is a hell of a ride.
The Ludocrats Written by Kieron Gillen and Jim Rossignol Drawn by Jeff Stokely Colored by Tamra Bonvillain Lettered by Clayton Cowles Published by Image Comics
This book is weird, and also weirdly horny, for the sake of weird. Delightful and strange, Gillen and Rossignol don’t merely break the fourth wall, but stomp up and down and pee on it for good measure. Stokely’s art is intricate and full of clever sight gags, and the nonsensical plot, which follows a pair of Aristocrats on the case to stop the Hyper-pope from turning the world boring, is a mad-cap romp. This comic is chock-full full of axe-wielding maniacs, nefarious betrayers, and cannibalistic gastronauts, and those are the good guys! The funniest book I read this year!
Slaughterhouse-Five Adapted from Kurt Vonnegut’s novel by Ryan North Art by Albert Monteys Published by Archaia Faithfully based on Kurt Vonnegut’s novel of the same name, North and Monteys bring us along on Billy Pilgrim’s unstuck journey through time, from his capture in World War II and the battle of Dresden to his abduction to the alien planet Tralfamador and back. North’s script does justice to the story, capturing all the comedy and tragedy it evokes. Montey’s art is cartoonish and subtly colored, and is evocative and resonant. I knew going in this would be a book that I would either love or hate, and I’m glad it pulled off so ambitious an adaptation.
She is the youngest of the group, practically still alive. The others rarely give her the use of the shell, but some business cannot be done remotely, and she still has flesh on her skull. Thus, she will be leaving the collective. The other heads, still connected to the frame with cables and struts, hover and fuss over her like aunties around a debutante, giving instructions. Then, she is back out in the world, her mechanical suit swathed in layers enough to disguise what she is. She will complete her mission, and then she will return home to her family.
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A light in the corner of the goggles, the holographic equivalent of a tug on his sleeve. He looked down and found himself standing next to a little girl pulled from some historical simulation. She looked up at him with wide, tear filled eyes. “What will become of me?” Inside the compound, the Walkers were destroying everything they could. But he’d gotten out with the core processor, and there were backups all over the system. He sighed. “You’ll be fine, as long as I don’t get caught. Now let’s move.” He shouldered the backpack and turned away, dismissing the hologram.
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The elves suffered under Santa’s harsh rule. They tried everything to make their long, laborious lives bearable, but he thwarted them with his magic at every turn. They tried to form a union, but he sowed fear and dissent among their ranks whenever they tried to improve conditions, and installed his puppets in leadership positions. Things only became worse. Some tried to run away, or to make the humans aware of their plight, but the isolation of the workshop in the arctic wastes doomed every attempt to disaster. In the end, the elves built their own Santa, and replaced him.
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“Who’s next on the list?” He ask his assistant. They told him. “Really?” He asked. “She’s been good all year?” “Yes, sir.” “Well, let’s get to it then.” Santa wheeled his sleigh around and headed for the Antarctic lair of the ancient dragon Meagestrix the Inferno. Santa slid quickly and quietly down a crack in the mountain, carrying a wrapped parcel on his back. He shot back up a moment later, running for the sleigh as fast as he could. The dragon was right behind him, belching smoke and flames, but her new set of humane adventurer traps was delivered.
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Chrononaut Cinema Reviews is presented by https://www.skinner.fm and http://hughjodonnell.com, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.
The old man sits at his workbench, painting a wooden soldier. It is fine work, flawlessly carved, like the legions before it. Just like the one he will make next. He enjoyes his work. It’s more of a retirement, honestly. But he still remembers the old days. He remembers thrones, and drinking halls, and hide boots crunching on snow. He remembers the smell of fear and the taste of hot blood. He paints a bright red smile on the soldier’s face and set it aside to dry. Santa is happy in his new role, but still, you’d better watch out…
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Every year at Christmas, she received a card with no signature and no return address. She would briefly puzzle over the card and wonder who it was from before being distracted again by the holiday rush. Until one year the cards stopped coming. She spent all winter trying to figure out where the cards came from, and why they had stopped. None of her friends or relations knew anything about it, and as the next holiday season approached, she had no answer. But that year, she picked a random address out of the phone book and sent them a card.
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Podcast: CCRC73 – Golden Girls, S5E12
December 24, 2020
hughjodonnell CCR, CCR Commentary, Podcast Christmas, Chrononaut Cinema Reviews, Commentary Track, Podcast, Sitcom, The 80's Leave a comment
Tonight your hosts, Hugh, Rich the Time Traveler, Opop, and Jurd, get together with Dorothy and the girls for some holiday cheer.
Chrononaut Cinema Reviews is presented by https://www.skinner.fm and http://hughjodonnell.com, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.