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Podcast: CCRC11: Galactica 1980

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Hugh, Rich the Time Traveler, and JRD comment on “The Return of Starbuck,” an episode of Galactica 1980.  It’s like Robinson Crusoe, only in space, and dumb.

Click HERE to listen to the Commentary,

And click HERE to watch the episode on Youtube!

Chrononaut Cinema Reviews is presented by http://skinner.fm and Way of the Buffalo, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

This podcast originally appeared at Skinner.FM on September 27, 2016.

Thank you for listening.  If you liked this podcast, please share it, or leave a review on the podcatcher of your choice.  You can also support me on Patreon for more writing and podcasting.

Hugh Likes Fiction: The Turn of the Screw

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The Turn of the Screw
By Henry James
Read by Emma Thompson with Richard Armitage

The Turn of the Screw is a classic suspense novel and ghost story, but perhaps it suffers from being too firmly rooted in the time of its creation.  The short novel is the story of a young governess sent to care for the orphaned niece and nephew of a rich London gentleman.  Her employer wants nothing to do with the two small children, but that is only the start of their troubles.  The governess is soon convinced that they are haunted by a pair of ghosts.
James’s short novel is preserved as a primary example of Victorian suspense, but the style would be way too wordy and anticlimactic to best-seller readers today.  But the nouvelle is both steady and deliberate in the application of suspense as the main character attempts to unwind the layers of mystery surrounding her two charges.  The opening section, in which the James claims to have heard this story from a friend one Christmas holiday serves as a statement of purpose to this effect, and also as a sort of carnival barker, stoking the nerves of the reader and daring them to turn the page.
But “The Turn of the Screw” is perhaps a bit too steeped in the cultural and social mores of Victorian England to be relevant to modern readers.  Class and gender relationships, with a clear hierarchy, are taken for granted throughout the work.  The narrator asserts that young Miles is either her equal or superior on the basis of his sex.  Also, class consciousness is central to the scandalous behavior of the two ghosts.  The novel asserts either a tryst between a common manservant and the well-born governess.  It also implies that their contact with the two children was inappropriate, and that their return from beyond the grave is to snatch the children.  James doesn’t seem to see any difference between breaking class taboos and pedophilia ,  which was troubling to my twenty-first century American morals.
I listened to this book on Audible.  Emma Thompson’s reading is quite good, and she manages to cut the dense verbiage of James’s style down to a manageable path.  Her performance keeps the modern listener invested and upholds the air of gothic suspense that may be lost on a reader unaccustomed to the style.  The Turn of the Screw is also available in print and digitally from a number of public domain sources.
Thanks for reading this article.  If you enjoyed it, please share it!  You can also support me on Patreon for more content.

Hugh Likes Comics: The Wicked + The Divine

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The Wicked + The Divine Vol. 1: The Faust Act
Written by Kieron Gillen
Drawn by Jaime McKelvie
Published by Image Comics

wandd

Gillen and McKelvie are my all-time favorite team of comics creators.  Yes.  Even above Stan and Jack.  Deal with it.  I was impressed with their urban fantasy indie-pop black and white opus “Phonogram,” and their run of “Young Avengers” was my favorite comic of 2013.  So when they announced “The Wicked + The Divine,” I knew right away that it was going to be right in my wheelhouse.  But I slept on it, knowing that it would be there when I wanted it the most, and that graphic novels would be a better choice than single issues, for me.  This week I finally took the plunge.  And I was entirely right.
Every ninety years, twelve gods return to earth, incarnated as teenaged pop stars.  They spend the next two years inspiring humanity, then they die.  And the cycle repeats.  It’s called The Recurrence, and it’s happening right now.
Laura is a fanatic.  She’s seen every god that has appeared so far.  And when Luci, this incarnation of the Prince of Lies as filtered through the Thin White Duke, takes a shine to her and invites her backstage, she becomes enmeshed in the affairs of beings that are equal parts divine being, celebrity, and terminally-ill teenager.
The Wicked + The Divine is another moonshot high concept of a comic from Gillen and McKelvie.  A strange mix of pop culture and religious iconography, it is constantly shocking, melancholic, and larger-than-life.  McKelvie’s clean, gorgeous line work is once again perfectly suited, with a whole class of post-modern deities to accompany his work on Marvel’s Young Avengers.  Matthew Wilson’s colors once again provide a rich partner to McKelvie’s art.
The Wicked + The Divine vol. 1 is available in trade from your local comics shop or digitally from Comixology.  It’s a hell of a good read.

Thanks for reading this article.  If you enjoyed it, please share it.  You can also support me on Patreon for more stuff!

Hugh Likes Video Games: Gone Home

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Gone Home: Console Edition
Created by The Fulbright Company
Played on Playstaton 4
gonehome.game

gonehome
I played “Gone Home” for the first time when it was released on PC.  Unfortunately, my Mac Mini wasn’t quite up to the task of the game’s graphics.  So I was quite pleased to be able to download it as a part of Sony’s Playstation Plus offerings for June of this year.  The span of a few years make this indie game’s 3D modeled mansion a bit less spectacular, but the game’s story and technique remain just as impressive.
The player steps into the first-person shoes of Katie Greenbriar, a college student just returned from a trip to Europe.  She arrives home in the middle of a stormy night to find the house empty, with a message from her younger sister not to come looking for her.
As you begin to explore the strange house, “Gone Home” feels like a survival horror game.  It does borrow some of that genre’s puzzle and exploration mechanics, but the game is actually something else.  As you learn more about Katie’s family through letters, buttons, scraps of notes, and other evidence, voice over narrations of her sister Sam are unlocked.  Formatted as unsent letters, they reveal the true story piece by piece.  I won’t spoil it here, but it is well worth experiencing on your own.
“Gone Home” is a by turns creepy, moving, and overall heartfelt piece of interactive fiction, and I wholeheartedly recommend it.

Podcast: CCRC10: Bionic Six

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Join the Chrononauts as they comment on a bit of nostalgia from JRD’s formative years.

Click HERE to listen to the commentary!

And click HERE to watch Bionic Six Episode One on Youtube!

Chrononaut Cinema Reviews is presented by http://skinner.fm and Way of the Buffalo, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

This podcast originally appeared at Skinner.FMSkinner.FM on September 14, 2016.

Thank you for listening.  If you liked this podcast, please share it, or leave a review on the podcatcher of your choice.  You can also support me on Patreon for more writing and podcasting.

 

Hugh Likes Podcasts: Hello From The Magic Tavern

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Hello From the Magic Tavern
Produced by Arnie Niekamp, Evan Jacover, and Ryan DiGiorgi
Hosted by Arnie Niekamp, Adal Rifai, and Matt Young
hellofromthemagictavern.com
magictavern1
Hello From the Magic Tavern is a difficult podcast to explain.  It’s kind of like The Lord of the Rings with less wandering and more poop jokes.  Half improv, half interview show, the podcast is hosted by Arnie Niekamp, playing himself.  The premise is that he fell through a magical portal behind a Chicago Burger King and landed in the magical land of Foon.  He still gets wifi through the portal, and hosts a podcast interviewing locals along with his co-hosts, a talking badger/shape-shifter named Chunt, and Usidore, a wizard of less than legendary talents.
The interviews with guests are improvised, but each one becomes canon for the podcast, and episodes build to form a larger story.  It’s a neat premise, that has resulted in a lot of pop culture jokes and references becoming ongoing bits.
The producers are also a part of the creative team at Jackbox Games, who create indie party video games like “You Don’t Know Jack” and “Fibbage.”  The signature humor of those games is on display here as well, so fans of their video game work will be well at home with “Hello From the Magic Tavern.”  The ongoing story line, which involves Arnie’s fervent wish to return home, but utter lack of action, and the land of Foon being menaced by a Dark Lord simply referred to as “The Dark Lord,” get stranger and more complex with every episode, but it is one heck of a trip.
You can stream Hello From the Magic Tavern online, or find it in iTunes or your favorite podcatcher.

Thank you for reading this article.  If you enjoyed it, please share it, or leave a comment.  You can also support me on Patreon for more content.

Podcast: Interview: Dave Robison

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Recorded on-site at Balticon 50, Hugh talks with Onder Librum and Ed Greenwood Group V.P. Dave Robison.  They talk about the publisher’s ambitious multi-media plans, and the newest novel setting, “Stormtalons!”

Click HERE to listen!

Links:
Pat played Mansions of Madness
Hugh listened to the Original Broadway Cast Recording of Hamilton: An American Musical
You can find more about Onder Librum, and sign up to join The Sessorium at their Website!
Dave is also the host of the fabulous Roundtable Podcast!
Our promo was for Six Stories Told at Night, an exceptional Canadian audio drama by K. T. Bryski.
Music provided by Kevin MacLeod of Incompetech.com under a creative commons license.

Thank you for listening!  If you enjoyed this podcast, please leave a review in iTunes, or your preferred podcatcher.  You can also support us on Patreon for early episodes, behind the scenes posts, fiction, and more!

This podcast originally appeared at The Way of the Buffalo on September 10, 2016.

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