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Hugh Likes Fiction: Finna

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Finna
Written by Nino Cipri
Published by Tor.Com

The Skinny: A broken-up couple adventures through a muliversal furniture store on a desperate rescue mission.

Imagine an IKEA that goes on forever. In this retail hellscape, Ava and Jules find themselves on a quest to find a missing shopper that has gone missing not merely between aisles, but between realities. Even though they have just broken up and are avoiding each other, they have been sent by their manager to rescue a lost grandmother, with no hope of overtime, but if they can prevent any bad press or leakage from a dystopian parallel Earth, there might be a Pasta and Friends gift card for them when they get back.
Cipri has pulled off something magnificent with this quirky novella. I’ve never seen the existential dread of modern retail work so elegantly expressed. They also set this story not at the beginning of a relationship, but at the fractious end, throwing together two humans who are still emotionally raw and wondering what comes next. They cover a huge amount of thematic issues in such a scant story, and they thread the needle beautifully, providing a moody, atmospheric story full of sympathetic characters. But Cipri’s compelling fantasy worlds will be what really draws you in. From a floating city of merchant ships to a forest of carnivorous furniture, Cipri creates a multiverse of dangers and wonders that is not to be missed.
Finna is available in print and ebook from Tor.Com and all the usual retailers.

Hugh Likes Comics: We Only Find Them When They’re Dead

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We Only Find Them When They’re Dead #1
Written by Al Ewing
Drawn by Simone Di MeoColored by Mariasara Miotti
Lettered by AndWorld Design
Published by Boom! Studios

The Skinny: A weird and beautiful space opera about small business and giant corpses.

In the distant future, mankind has scoured the galaxy clean of resources. Pushed to the edges of a depleted galaxy, they find space’s last mineable source of minerals, metals, and even meat: Dead Space Gods. But the competition between fleets of ‘autopsy ships’ is fierce, and heavily regulated. As corporate entities dominate the market and push out independent operators, Captain Georges Malik and the crew of the Vihaan II struggle to stay afloat under the watchful eye of a zealous enforcement officer.
We Only Find Them When They’re Dead is a sad, beautiful, and imaginative high-concept space opera of the sort that only really works in the comics medium. Ewing’s script is tight and economical, bringing the four-person crew to life in just a few pages. But Di Meo’s art with Miotti’s coloring is the real star here. There is a breathtaking use of light and shadow in this book. The characters seem to float right off of the page, and the space scenes do an excellent job conveying both the enormity of the titanic corpses and the tiny, cramped vessels that carve them up for parts.
We Only Find Them When They’re Dead #1 is the start of something massive. I can’t wait to read more, and I highly recommend you check it out. Find it at Your Local Comic Shop, or digitally from Comixology!

Hugh Likes Fiction: Harrow the Ninth

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Harrow the Ninth
Written by Tamsyn Muir
Audiobook ready by Moira Quirk
Published by Recorded Books

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The Skinny: The sequel to Muir’s impressive debut novel delivers more mystery, gothic weirdness, and dad jokes. (Spoilers for Gideon the Ninth)

Any novel can make you think the main character is mad. It takes a very special book to make you wonder about the author. Harrow the Ninth, manages to do both, with style and grace. And it does it leaving my desperately looking forward to the last volume of the trilogy, due out sometime next year.
And how does Muir follow up the massive success of her debut Gideon the Ninth? In second-person, and with the conspicuous absence of any mention of the first book’s beloved title character. Harrowhark the Ninth has done what she set out to do, and became a Lychtor at Canaan House. But instead of waking up a mighty immortal in the full flush of her powers, she’s sick, dying, and probably going mad. There’s something wrong with her, and she cannot understand what. Also, she is dreaming of her time at Canaan House, and those memories don’t match the events of the first book at all.
Things only get worse when she’s brought to the Emperor’s haunted Space Station for training. The other Lychtors are as likely to kill her as teach her, and the Emperor Himself is far from the living god she imagined. Her only remaining friend is Ianthe, her fellow newbie necromancer, who has plans of her own. Oh, and a monstrous undead Death Star is on its way to kill them all, so no rush getting all that sorted out.
Muir has struck gold once again with this space opera that is equal parts Gothic and Arch. The mysteries are tantalizing, the characters are that same signature mix of badass and horrible people, and her writing just sets the page on fire. The second-person perspective and jumbled nature of the first sections of the novel might be a bit of work to get through, but the payoff is definitely worth it, and it’s a brilliant use of literary device.
Moira Quirk also returns to read the audiobook version, and her narration and voice work are spot-on.
Harrow the Ninth is exactly what I wanted out of this sequel, full of gothic space crypts, planet-sized undead, and witty dialog from decadent lesbian space necromancers. It’s not a good place to start the series, but if you enjoyed the Gideon don’t miss it!

Podcast: CCRC64 – The Starlost, S1E1

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Tonight your hosts, Hugh, Rich the Time Traveler, Opop, and Jurd, run silently from Logan.

Click HERE to download the Commentary!

Warning: YMMV, this was not the copy we used for recording

Chrononaut Cinema Reviews is presented by https://www.skinner.fm and http://hughjodonnell.com, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

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Everyday Drabbles: Love and Rockets

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When she began studying engineering, the mean girls started joking that she was going to build herself a boyfriend. At first, she ignored them, but the more she learned, and the more she worked, the less implausible the idea seemed.
She built the prototype, and installed a contained artificial intelligence she got inline. It was important that he be able to make his own decisions, to be able to surprise her.
The whole school was shocked when she showed up to prom on the arm of the perfect hunk. It was awesome.
Until he dumped her for that skank, Becky.

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Fiction: Germicidal Maniac

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Humanity’s first contact with another intelligent species occurred somewhere entirely unexpected: Mike Henderson’s shower curtain.
Nobody knows how long the algae had been on the curtain, but it was long enough for it to develop a sort of hive intelligence that introduced itself by writing a message of peace in green slime.
Mike took the logical first step of posting a picture of it online.
Unfortunately, his mom saw the post firs, and missing the historic significance entirely, used her spare key to enter the apartment and clean his bathroom. Thus a civilization died beneath a wave of scrubbing bubbles.

This story originally appeared in Everyday Drabbles, a daily free fiction project on Wattpad. Visit the link for over a hundred free stories. And if you enjoy my writing, support my work by buying me a coffee!
Buy Me a Coffee at ko-fi.com

The first collection of Everyday Drabbles stories, Winter, is now available as an eBook from Amazon! Enjoy over 90 short stories for less than two dollars!

Hugh Likes Comics: Heist

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Heist, or How To Steal a Planet #1
Written by Paul Tobin
Drawn by Arjuna Susini
Colored by Vittorio Astone
Lettered by Saida Temofonte
Published by Vault Comics

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The Skinny: A love letter to Science Fiction Noir and the start of something great.

Theirs something about Sci-Fi Noir that I find inexplicably cool. GIve me the rain-soaked neon of Blade Runner, the pitiless urban sprawl of the BAMA. Heist delivers a whole new world of grimy future crime, and it does it with a love for the grubby subgenre on its sleeve. Welcome to Grave City.
The planet Heist was the last Independent hold-out against the monolithic Dignity Corporation. Glane Breld took the fall when Dignity took over. And the man who set him up took his car. Now Glane’s a free man again, and he has a lot of work ahead of him if he wants to put together a crew skilled enough to steal the planet back again.
Heist #1 is one of those rare great comics where the writer and artists are working in perfect synchronicity. Tobin’s writing sets up the characters and the world well, without being too dense. Susini’s art is grimy and evocative of the great indie sci-fi comics of the 80’s and 90’s. This comic feels like how fans talk about 2000 AD. Astone’s colors wash the whole thing in a murky shadowscape that is absolutely perfect and sets the right level of menace for the underground of Grave City.
Heist #1 is a dirty, rotten jewel of a Sci-Fi Crime comic. This is going to be a big one, and you can pick it up at your local shop, or digitally from Comixology. Go out and get it.

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Hugh Likes Fiction: Gideon the Ninth

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Gideon the Ninth
Written by Tamsyn Muir
Audiobook read by Moira Quirk
Published by Recorded Books

The Skinny: Shirley Jackson’s Lesbian Space Necromancers.

Tamsyn Muir’s Gideon the Ninth is an extraordinary novel that is a bit difficult to describe, pithy sentence above not withstanding. In a crumbling space empire built on necromancy, eight Necromancers, along with their Cavalier bodyguards, return to a long-abandoned planet to search for a secret power that could save their civilization. It’s a dense concept, and my attempts don’t do it justice, but Tamsyn sells it with from the first incredible opening line.

“In the myriadic year of our Lord—the ten thousandth year of the King Undying, the kindly Prince of Death!— Gideon Nav packed her sword, her shoes, and her dirty magazines, and she escaped from the House of the Ninth.”

A postmodern space fantasy/ghost story, Muir fills her novel with deeply rich characters like the eponymous sassy swordswoman Gideon and her Necromancer charge, Harrowhawk. Harrow is the teenaged leader of the Ninth House, and Gideon’s only childhood companion, so of course they hate each other, and are only working together to keep the other houses from finding out that a tragedy befell their planet, and they are literally the only suitable candidates. Her characters are outstandingly drawn and painfully real. And her setting, from the nearly-lifeless frozen tomb planet the Ninth House calls home to the abandoned, crumbling palace of Canaan House is a character in its own right; melancholy, ferocious, and disarmingly witty.
Muir’s handling of equal parts tension and farce are deft, constantly surprising, and utterly delightful.
Just as delightful as the writing is Moira Quirk’s narration on the audiobook version. Quirk does an excellent job brining Muir’s already vivid characters to life. She does a stunning job performing a large cast of strange and complicated characters.
Gideon the Ninth draws from the work of masters like Agatha Christie, Shirley Jackson, and Ursula K. Le Guin, while also building something modern and wholly unique. It is unlike anything I’ve read in a very long time, and not to be missed. You can listen to the remarkable audiobook version via Audible, or purchase a physical or ebook copy from your retailer of choice.

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Hugh Likes Fiction: This Is How You Lose the Time War

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This Is How You Lose the Time War
Written by Amal El-Mohtar and Max Gladstone
Audiobook read by Cynthia Farrell and Emily Woo Zeller
Published by Simon and Schuster Audio

The Skinny: Two time-traveling agents begin a correspondence that will have epic consequences.

This beautifully written novella follows Red and Blue, two agents of opposed possible futures working to ensure their side wins history, as they begin an exchange of letters that will, well, change history.
El-Mohtar’s and Gladstone’s writing is lyrical and beautiful. The locations for the two agents’ missions are tiny glimpses into beautiful and compelling worlds. From neolithic labyrinths to ruined battlefields on crumbling, distant planets. But the letters themselves are as fascinating as their correspondents’ adventures. The reader watches as their exchange starts as a taunt, gradually becomes more friendly as the two begin to understand one another, and eventually become something more intimate, in letters written on plain paper, and hidden in more devious methods, in the bottom of a teacup, in the rings on a fallen tree, or the boiled water in an abandoned hospital MRI machine. Each exchange is surprising and engaging, and the reader is left to wonder what they’ll think of next, and to worry as a shadowy figure stalks behind them.
The audiobook, although short, was particularly good, which a pair of excellent narrators that give the poetic descriptions and intimate epistolary sections real gravitas. Often an audiobook is either well narrated or well acted, and finding not one but two narrators that excel at both is a triumph in and of itself.
This Is How You Lose the Time War is a confection of time travel mystery romance that will leave you aching for more, and heading back through to see how they pulled it off when you’re done. It’s certainly award-fodder, and it breathes new imagination into it’s sub-genre. Don’t miss this one!

Fiction: 5(n) Guys

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The mad scientist’s cloning machine was complete! He’d tested it (on himself, naturally) and the five replicas were perfect. They weren’t quite as brilliant as he was, but they were healthy, and loyal.
But he was out of funds to continue his research.
Some time later, a car pulled up to the drive-through at a local burger joint.
“Greetings! Recite your demands into the listening device!”
The driver pulled through and picked up their order. As she turned back into traffic, she turned to her passenger.
“You ever notice how the guys at this place all look the same?”

This story originally appeared in Everyday Drabbles, a daily free fiction project on Wattpad. Visit the link for more free stories. And if you enjoy my writing, support my work by buying me a coffee!
Buy Me a Coffee at ko-fi.com

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