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Hugh Likes Comics: Plastic Man

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Plastic Man #1
Written by Gail Simone
Drawn by Adriana Melo
Colored by Kelly Fitzpatrick
Lettered by Simon Bowland
Published by DC Comics

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The Skinny: Simone and Melo breathe new life into a Golden Age hero.

I wasn’t quite sure what to expect opening Plastic Man #1. The character is one of those ones that has been bouncing around the DC Universe forever, but that I haven’t read much of. Purchased under one of DC’s buyouts of their rivals after the end of the first great wave of superheroes, he faded into their ever-growing C-list bench for me, although he did go on to have his own cartoon in the 70’s.
The story is still very golden age, but this remixed origin has some nice modern touches. Eel O’Brian was a safecracker until a job in a mysterious chemical factory left him shot, doused with something caustic, and left for dead by the rest of his gang. But in the classic tradition, what should have killed him in fact gave him super-powers, in this case, the ability to stretch and change his shape. But coming back from the dead with powers just leads him to a whole new set of problems as he tries to piece together what has happened to him.
Simone (Deadpool, Domino) is perhaps the best possible choice for a book like this. Her mastery of the different story elements lends a subtlety that is indicative of her style. She invokes crime elements without being salacious, even with a scene set in a Justice League-themed gentlemen’s club. She invokes pathos without being schmaltzy, and the humor of the character doesn’t quite cross the line into goofy. She nails the balance. Her Plastic Man is a criminal with a conscience, a hero with a healthy distrust of the forces of law and order, and a goofball struggling to stay this side of sane. It’s territory she’s explored before, and she hits all the markers beautifully.
Melo’s art and Fitzpatrick’s colors are also well suited. Melo’s expressions are spot on, and she keeps up with Simone beat for beat. Fitzpatrick’s colors do just as much work, with characters in too-bright suits popping against the brown and gray of a crime-ridden urban blight. It’s all delicately done, and I want to see where this team takes them in future issues.
Plastic Man #1 is a modern-day reinvention of some classic comic book characters and tropes, and it’s a heck of a good time. You can find it on Comixology, or at your local comics shop.

Hugh Likes Video Game: Zelda: Breath of the Wild

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The Legend of Zelda: Breath of the Wild.
Published by Nintendo
Played on Nintendo Switch

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The Skinny: I don’t know what to tell you. if you haven’t heard of it by now. It’s really good.

So, yeah, Zelda Breath of the Wild has been out for a year, and praise has been heaped upon it. And it is well deserved. Like most of the core Nintendo franchises, Zelda games tend to iterate on a formula. Installments have stayed closer or farther from this formula, but in general, the pattern of travel around a persistent map and complete X number of elemental dungeons before fighting Gannon persists. Breath of the Wild reduces the dungeon count and instead focuses a bit more on the sprawling map, that is none-the-less filled with things to do.
Zelda BotW takes several design cues from Western RPGs like The Elder Scrolls in that there is always something interesting around the next corner. It also follows the design choices of A Link Between Worlds in that it gives the player his tools up front, and lets them tackle the game’s challenges as they wish, although there does feel like an ideal path.
While the game doesn’t offer the robust character development you typically see in Western RPGs, it does have a huge map full of things to do. Breath of the Wild replaces the hidden heart containers from previous games with Shrines, little formalized puzzle rooms scattered throughout the map, which also function as fast-travel points after you activate them. There are lots of mountains to climb, stuff to collect, and monsters to fight, and it rarely feels like a chore.
The four main quests do feel somewhat repetitive, as they each have the same basic structure, although the design for the dungeon-sized Divine Beasts are quite cool. The game has a very aggressive weapon and shield durability system, which will mean you will be spending a lot of time collecting replacement swords rather than relying on the familiar Master Sword. Fortunately, there is a huge variety of new ones to collect, so it does add some variety to the experience.
The Legend of Zelda: Breath of the Wild is a huge, beautiful adventure with a new surprise over every ridge. It brings back a refreshing sense of freedom to the series, and is a must-play, in my opinion. You can find it for the Nintendo Switch and the Nintendo Wii-U.

Hugh Likes Comics: Coda

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Coda #1
Written by Simon Spurrier
Drawn by Matias Bergarda
Published by Boom! Studios

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The Skinny – A cynical wanderer navigates a lost magical world in this beautifully illustrated post-apocalyptic dark fantasy.

It is a given in a certain field of fantasy fiction, from Lord of the Rings to “The Legend of Zelda” that when a good, magical, noble fantasy kingdom is faced with annihilation from a Dark Lord, Good will, no matter the odds and no matter how long it takes, triumph in the end. But what if it doesn’t?
This is the central concept behind Spurrier and Bergarda’s “Coda.” A cynical wanderer, and former Royal Bard is searching the wasteland for his missing wife, until he stumbles across Ridgetown, a seeming oasis of magical and technological might out of the ‘old days.’ And they have the enchanted cannon to prove it. But where is their magic coming from? And what would happen to them if they were to lose it?
Coda is “Mad Max” with magic. Or more accurately, with a drought of magic. Just like water and gas running short in that series, we see how the world has fallen apart when the source of magic, a race of magical beings, are wiped out. And a world that seems to have been a black-and-white battlefield between the forces of ‘good’ and ‘evil’ is revealed to be a lot more complex as the survivors struggle to keep on living.
Spurrirer’s writing is intriguing, but it is brought to life by Bergarda’s sumptuous art and colors. The panels have a flow to them that carries you through the story at a disquieting rhythm. The colors have this soft-focus wash to them that establishes the fallen glory of the world perfectly.
Coda is available now from Comixology and Your Local Comics Shop. If you’re looking for something a bit different to tide you over until the next season of Game of Thrones, I heartily recommend it.

Podcast: CCRC39-Dungeons & Dragons S1E6

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dungeon-n-drags

Tonight your hosts, Hugh of HughJODonnell.com, Rich the Time Traveler, Jurd, and Opop, gather for another bad day at the amusement park

Click HERE to listen to the commentary!

And HERE to watch the cartoon on Youtube!

Chrononaut Cinema Reviews is presented by http://skinner.fm and http://hughjodonnell.com, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Hugh Likes Movies: Deadpool 2

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Deadpool 2
Directed by David Leitch
Starring Ryan Reynolds, Josh Brolin, Zazie Beetz

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The Skinny: This sequel to the 2016 surprise hit takes far fewer risks than the original, but it has a lot of fun playing in the 90’s X-Men toy box.

Deadpool 2 is a fun action comedy, if a bit stuck in the formula of the original. This action-adventure-comedy routine follows Wade Wilson, (Reynolds) a regenerating mercenary living entirely outside of the fourth wall, as he struggles to find a purpose after a tragedy and stumbles into the life of 14-year old mutant Russell Collins, who is being raised in an abusive orphanage and also being hunted by Cable, a cyborg from the future (Brolin.)
As you might expect from the above description, “Deadpool 2” deals with some heavy material, poorly. But while it does dip its toes into some extremely vile and worn-out comics tropes, it does actually subvert them, for the most part. In one particular case, it avoids a pitfall that “Avengers: Infinity War” plows right into. Deadpool 2 is crass, but at this point you should know what you’re getting into, and it at least tries to have some heart.
The movie does a good job staying lighthearted in the face of some weighty subjects, and the fight sequences are all over the top fun. Deadpool’s corner of the X-Men universe is full of complicated, confusing, and downright contradictory continuity, and the movie does a great job of presenting just enough for the characters to work in context. Particularly great is Zazie Beetz’s turn as Domino, a mercenary with luck powers who lands her gags with aplomb.
Deadpool 2 doesn’t break a lot of new ground, but it’s a welcome popcorn flick for fans of the original, or fans of that magical time in superhero comics called ‘the 90’s.’

Podcast: NP18-Space War is Exhausting

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NP18

Welcome to Nostalgia Pilots This week Hugh, Jason, and Jurd are discussing Gundam Wing Episode 18: Tallgeese Destroyed!
Click HERE to listen to the podcast!
In this episode: Lady Une is in sore need of a magical girl transformation, not to mention a cell phone. Treize is a bad friend but a terrific manager, and you should never even bother launching cancers.
Plus, Heero tries to reboot Cosmos and the Gundam Engineers compile shareware games on Oz’s time.

Promo: Flash Pulp