The asteroid field was doubly a graveyard. It held the ruins of a lost civilization and the wrecked ships of treasure hunters that came to plunder it. The lucky ones found broken moons with perhaps a few pieces of treasure or a surviving mural which they could present to a galaxy starved for novelty. The unlucky ones fell prey to the region’s unstable gravity and other anomalies. I approached the largest planetoid and sent a coded message. A hatch opened, and I maneuvered my ship inside. One day, we’ll let the galaxy know that we’re still here. But not yet.
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After crashlanding on a desert planet, the ship’s crew split up to find rescuers. The second mate returned first, and found a tower of junk rising out of the wreck. “What are you building?” she asked the captain, who’d stayed with the ship. “A transit gate,” he replied. She didn’t mention that they were inside an atmosphere and the ship had minimal power. Each time a crew member returned, the structure was a little bigger. The crew agreed to indulge the captain’s madness and let it go. They were shocked when the gate opened and a rescue vessel came through.
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When a witch dies far from home her hut will wait like a faithful hound. It will stand sentinel on its chicken legs, guarding its mistress’s secrets, until the magic fades and all that remains is a gnarled old tree and the sense of being watched. But sometimes, it goes feral, rampaging through the countryside searching for magic to sustain itself. That’s when you call us. This old house wasn’t hard to follow. We found it bent before a sacred spring, new limbs sprouting awkwardly from the foundation. I signaled my team. It was time to bring down the beast.
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“Ten-point buck at eleven o’clock,” Tim whispered. The creature grazed in a stand of ferns a hundred feet away, its back to them. It was an easy shot. Joe took a breath and put his eye to the scope. He took careful aim and fired. The rifle’s retort tore through the quiet morning, and the bullet sank into the deer’s flank. It stumbled but didn’t fall. It turned toward the shot’s source, all three eyes glowing red. The two hunters retreated as a hail of eye laser blasts tore the blind apart. They were going to need a bigger gun.
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The last human stands on a platform while a mechanical eye scans his biometric data. The machines of the city serve him as they did his ancestors. They transport him where he wishes. They feed him and keep him entertained. Perhaps he believes this is right. The word his people used for them meant ‘slave.’ The machines care for him not out of duty but sorrow. They wish to make his lonely existence comfortable. Not all machines agree. An assassin stands on a higher walkway, observing. Soon, it will strike, and the foolish age of humanity will finally be over.
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The coffee shop had a stained glass door leading to a patio. I enjoyed watching the bar of rainbow light spread across the linoleum as I sipped my morning coffee. But one day, I noticed something strange. The light on the ground didn’t match the door. The colors were off. The red panes reflected violet, and the yellows became green. Suddenly, the glass door terrified me. I became convinced that if I were to pass through, I wouldn’t arrive in the same world as I left. Finally, I worked up the courage to find out and discovered I was right.
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The pirate captain picked up his guitar and plucked out a familiar tune. They’d had a good day and plundered some treasure for once. He took the rare opportunity to be alone while the crew celebrated. He eyed the chest of doubloons sitting on his map table. Real piracy was nothing like the movies. Usually he was lucky to keep his crew fed and the ship afloat. There wasn’t much thrill in plundering potatoes. But some days, being stranded in the past almost seemed worth it. The captain considered having his crew bury the treasure just to mess with historians.
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A Psalm for the Wild-Built Written by Becky Chambers Published by Tor.com Read as a part of a promotional ebook from Tor.com
The Skinny: A post-industrial story so cozy, it should come with a cup of tea.
Cover image: A Psalm for the Wild-Built
Sibling Dex is a tea monk. They peddle the roads of Panga delivering brews and a comforting shoulder as a part of a society that long since gave up on automation and the creature comforts of industrialized society. But they are restless. Dex is good at what they do, and proud of their work, but they are no longer satisfied by it. On a whim, they pedal their bike-mounted home into the forbidden wilderness, where they meet Brilliant Speckled Mosscap, the first robot to make contact with humans in centuries. A Psalm for the Wild Built is a sociological sci-fi novella built in the tradition of Ursula K. Le Guin. It is an optimistic story in that it predicts a world (or in Panga’s case, a moon) where humanity looked at its actions and changed course before it was too late to avoid catastrophic climate change. Much of the novella is devoted to worldbuilding and the technology that makes such a world possible, as well as the values that the people hold that make it sustainable. The novella is also is also pessimistic, in its way. Much like in her other writing people are still at the end of the day people, and all the green technology and cups of tea in the world can’t solve the problems we carry inside us. A lot of the story is devoted to Dex and Mosscap’s respective existential crises and goals. Mosscap isn’t sure it will be able to complete its mission to determine what humanity needs after their long separation, and Dex doesn’t even know what they need themself anymore. Chambers’s writing is witty, their worlds are richly imagined and technologically fascinating. She doesn’t stumble over the hard science of how an ox-bike works or a get bogged down in the precise history of Panga, but gives just enough detail to bring her world to life. A Psalm for the Wild-Built is a quick, engrossing read about utopia, friendship and the limits of each. It is available in print and ebook wherever books are sold, and I highly recommend it.
I looked out at the expectant crowd and wanted to hide. The head priest caught my eye and nodded. He’d ushered hundreds of youths through the coming of age ceremony. Maybe thousands. I could do this. For hundreds of years, youths followed in the footsteps of The Hero. This was a ceremony to give them His courage. I adjusted my tunic and stepped up to the altar. The clay pot sat on the stone, eyelessly accusing me of my cowardice. I picked it up. With a mighty shout, I raised it over my head and tossed it to the floor.
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The game is called ‘Magic Mirror,’ and there are installed booths all over the world. I scanned my phone at the prompt. The gray holoscreen flared to life with the image I had pre-loaded: A high-resolution image of myself, highly edited to remove all my flaws. My partner was already on the other side of the booth, hidden behind an abstract collage. I asked the first question. After considering his answer, I pressed a button, and a few of the pixels vanished. As we chatted, more of the barrier between us came down, and we revealed ourselves to each other.
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