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Hugh Likes Non-Fiction: Queer As Folklore

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Queer As Folklore: The Hidden Queer History of Myths and Monsters
Written by Sacha Coward

Narrated by Will Watt

Published by Tantor Media

Listened to via Audible

The Skinny: A reimagining of legends and mythological creatures with a Queer lens.

Queer As Folklore examines the icons of myth and legend, and their hidden, and sometimes not so hidden connections to Queer iconography, history, and culture. Coward describes folklore as a living document, the stories that a culture tells. He presents both ancient and modern interpretations of archetypes, from the ancient to the modern. Everything from unicorns to UFOs get touched on.  Dealing largely with historical records, a lot of the history presented in this book is obscure, and depressing. So much of Queer history, particularly in Europe and America in the 18th, 19th, and 20th centuries was written in grave stones and police records, and Coward is a good anthropologist who doesn’t stray too far from his sources, even when he admits the temptation.

Each chapter focuses on a different mythological, supernatural, or pop-culture figure, presenting their mythological and historical context alongside their Queer signifiers, interpretations, and reinterpretations, along with associated Queer history and figures. Coward discusses, for example, Mermaids in their various classical and modern incarnations, and particularly focuses on The Little Mermaid author Hans Christian Andersen’s letters and tangled romantic history. He traces arguments through history, from the classical to the romantic to the modern.

The audiobook narration, delivered impeccably by Will Watt, is also charming and lively, keeping the listener engaged and not becoming a waterfall of facts and dates. I would listen to Watt read the phone book, but finding him here was a surprise and a delight, and he delivers the material well.

While a high-level overview of a number of different myths, legends, and historical figures, Queer as Folklore is a great place to start looking and reexamining these stories, and an excellent jumping off point for interested burgeoning scholars of mythology, culture, or Queer history. There is sure to be something fascinating that you haven’t heard before. I highly recommend it.

Hugh Likes Fiction: The Butcher of the Forest

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The Butcher of the Forest
Written by Premee Mohamed
Published by Tordotcom

The Skinny: A dark fairytale about the rules of power: how to bend them, and how they break you.

The villagers stay away from the North Woods. They raise their children on the stories of the things that live in the forest and the strange, magical realm in its heart. They memorize the rules they will need to survive should they wander too far into the trees. But while the knowledge was passed on, it never reached the Tyrant, who conquered the village and established his castle on the outskirts. Nor did it reach his two children.
So when Veris is roused before dawn and brought before the Tyrant, she knows what he will demand before he tells her: His two children are missing, and as the only living person to venture into the North Woods and the Elmever that lies within its boundaries, she will bring them back.
In this dark fairy tale reversal over Hansel and Gretel, everything resolves around power, and the rules it follows. Contrasting the typical rules of entering a fairyland (don’t eat anything, don’t give your real name, don’t try and negotiate) with life under a dictatorial regime is a brutal and brilliant choice. Fascists are as capricious and dangerous as the fey. Their rules are no less byzantine, and the penalties for breaking them are no less deadly.
Mohamed’s writing is spare and sharp as a knife, compressing the story into a single day. This is a quick but by no means easy read. The story is gripping, and the characters have depths that peek in just at the edges of their dialog and the narration. This book will get its hooks in you until the final, brutal reveal. I highly recommend it. The Butcher of the Forest is available in print from your local independent book store, or in digital formats from the usual online storefronts.

Hugh Likes Fiction: The Haunting of Tram Car 015

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The Haunting of Tram Car 015
Written by P. Djeli Clark
Audiobook read by Julian Thomas
Published by Recorded Books

The Skinny: A light fantasy adventure novella set in an alternate 1910’s Cairo.

What starts out as a routine haunting for two agents from the Ministry of Alchemy, Enchantments, and Supernatural Entities quickly expands in a plot involving smuggling rings, women’s suffrage, and the uneasy mingling of cultures in an alternate 1912 Cairo that is the center of the modern and magical world.
Never quite hard-edged enough to put the punk in its steampunk, Clark never the less wrestles with the concept of empire, if only by having the characters discussing how glad they are to not have the English in charge anymore. His Cairo is a cosmopolitan jewel, with a mixture of vibrant cultures and characters both real and mythical. Much like his earlier short story that shares the setting, “A Dead Djinn in Cairo,” Haunting evokes a deeply complex world that challenges both the reader’s and the characters preconceived notions.
And speaking of which, his characters are memorable delights, from sassy shopkeepers, to obsequious transit officials, and his two main leads, the tough, world-weary agent Hamed and the sharp, but soft agent Onsi. Clark skirts the line of some well-worn procedural tropes, but his dialog and realizations of the characters breathe unexpected life into them.
I listened to this book on Audible, and Julian Thomas gives an excellent, if a bit slow, reading. His performance of the characters makes each of them clearly recognizable, and to my inexperienced ears he handles accents well, making them distinctive but still easily understandable to a listener generally unfamiliar with the region.
The Haunting of Tram Car 015 is available in ebook, print and audiobook from Amazon, Audible, and your local independent book store. It’s well worth checking out if you’re on the hunt for a well-realized historical fantasy that plays outside of the typical Western European sandbox. I’m eagerly awaiting Clark’s next entry in what is quickly becoming one of my favorite fictional settings.
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