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Hugh Likes Comics: Heist

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Heist, or How To Steal a Planet #1
Written by Paul Tobin
Drawn by Arjuna Susini
Colored by Vittorio Astone
Lettered by Saida Temofonte
Published by Vault Comics

HLC Heist

The Skinny: A love letter to Science Fiction Noir and the start of something great.

Theirs something about Sci-Fi Noir that I find inexplicably cool. GIve me the rain-soaked neon of Blade Runner, the pitiless urban sprawl of the BAMA. Heist delivers a whole new world of grimy future crime, and it does it with a love for the grubby subgenre on its sleeve. Welcome to Grave City.
The planet Heist was the last Independent hold-out against the monolithic Dignity Corporation. Glane Breld took the fall when Dignity took over. And the man who set him up took his car. Now Glane’s a free man again, and he has a lot of work ahead of him if he wants to put together a crew skilled enough to steal the planet back again.
Heist #1 is one of those rare great comics where the writer and artists are working in perfect synchronicity. Tobin’s writing sets up the characters and the world well, without being too dense. Susini’s art is grimy and evocative of the great indie sci-fi comics of the 80’s and 90’s. This comic feels like how fans talk about 2000 AD. Astone’s colors wash the whole thing in a murky shadowscape that is absolutely perfect and sets the right level of menace for the underground of Grave City.
Heist #1 is a dirty, rotten jewel of a Sci-Fi Crime comic. This is going to be a big one, and you can pick it up at your local shop, or digitally from Comixology. Go out and get it.

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Hugh Likes Comics: Made Men

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Made Men #1
Written by Paul Tobin
Drawn by Arjuna Susini
Colored by Gonzalo Duarte
Published by Oni

mademen

Frankenstein Revenge Noir. It’s a beautiful concept, and Tobin and Susini pull it off brilliantly in “Made Men.” The book opens with a bloodbath, a hit on a team of police officers. The whole squad is mercilessly gunned down. But the squad’s leader isn’t exactly who she says she is. She’s a Frankenstein, and after one of her grandmother’s recipes allows her to survive the bullets, she’s entering the family business to get revenge.
Tobin’s script goes off at just the right clip to toss us into this revenant revenge tale. Susini’s art is a perfect tonal match, gritty and visceral with just the right level of gore. Duarte’s colors are muted and lurid, exactly like the old school pulp the story evokes.
As a collaborative medium, a comic works best when the art and text either support each other completely, or diverge in interesting ways. “Made Men” does the former, and it is exquisite. We get some outstanding montages, as Jutte Frankenstein narrates on top of the gothic-noir art. If you’re a fan of classic noir or classic horror, this is a fantastic start to something you won’t want to miss. You can find Made Men #1 at your Local Comics Shop, or digitally through Comixology!
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