Podcast: CCRC68 – Spider-Man and His Amazing Friends (S3E5)

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Tonight your hosts, Hugh, Rich the Time Traveler, Opop, and Jurd, chase Peter Parker’s roommates for their share of the rent.

Warning: YMMV, this was not the copy we used for recording

Click HERE to listen to the commentary track!

Warning: YMMV, this was not the copy we used for recording

Chrononaut Cinema Reviews is presented by https://www.skinner.fm and http://hughjodonnell.com, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.


Hugh Likes Comics – Immortal Hulk: Great Power

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Immortal Hulk: Great Power #1
Written by Tom Taylor
Drawn by Jorge Molina
Inked by Adriano Di Benedetto with Roberto Poggi
Colored by David Curiel
Published by Marvel Comics


The Skinny: This self-contained issue is a modern twist on a fun What If? premise.

Even the most serious concept can be fun sometimes. Superhero comics, as a sub-genre, lend themselves to certain kinds of experiments you rarely see in others. Who would win in a fight? What if this story had ended differently? and of course, What if X character had Y’s Powers?
The premise of Immortal Hulk: Great Power is that Spider-Man has somehow taken the powers of the Hulk from Bruce Banner. But the twist here is that this is the modern, horror-version of the character currently written by Al Ewing.
The result is a book that strays a bit far from the premise of that book, but is a good deal of fun, and serves as an introduction to the characters for readers who don’t know their current deals. It feels like something from the 70’s brushed off and polished to modern style, in the best way possible.
Taylor’s writing is very strong, capturing both the classic essence of these character as well as the modern takes. For instance, Loki has a cameo that feels right in line with his more recent appearances, as do the Fantastic Four.
The art is good, particularly the colors. Molina doesn’t display as much body diversity as one would expect in the characters, though, and in particular his version Bruce Banner is way more ripped than he should be.
This self-contained little story isn’t exactly consequential, but it is a lot of fun and a very enjoyable superhero romp for Marvel fans. You can snag a copy at your local comics shop, or read it digitally through Comixology.

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Podcast: CCRC60 – Spider-Man (1967) S1E11

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Tonight your hosts, Hugh, Rich the Time Traveler, and Jurd, swing into action with a Peter Parker of yore.

Click HERE to listen to the commentary!

And HERE to watch the episode. IN COLOR!

Chrononaut Cinema Reviews is presented by http://skinner.fm and http://hughjodonnell.com, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

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Hugh Likes Comics: Edge of Spider-Verse

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Edge of Spider-Verse
Written by Various
Drawn by Various
Published by Marvel Comics
I am a sucker for alternate versions of iconic characters.  Different twists, new ideas, and retellings are my jam, which is why I really enjoyed “Edge of Spider-Verse” even if it is a set-up for a very complicated Spider-Man crossover event that I didn’t read.  The graphic novel collects five single-issue comics, each with a different version of the iconic superhero.
Each story is complete, and has very different styles and takes.  Spider-Man Noir is a 30’s pulp take on the hero, who fights a stage magician version of villain Mysterio.  A classic horror-comic version imagines Spider-Man not as hero, but as a grotesque, bloodthirsty monster.  And the breakout hit of the book imagines what would happen if Gwen Stacy, rather than Peter Parker, was bitten by the radioactive spider of destiny.
My favorite version was Sp//dr, a Katsuhiro Otomo-inspired take which stars a teenage girl piloting a spider-like robot with the assistance of a genetically engineered creature.
The art and writing vary across the different titles, and each of them ends with some tie-in to the big event comic, either recruitment by the good guys or a confrontation with the villains.  It gives some of these tales slightly unsatisfying endings, but what I like about this collection is the creativity that is brought to this well-established character.
I received this comic via Comic Bento, a subscription service that mail delivers curated boxes of comics to subscribers.  It is also available from Comixology or your local comics shop.

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